01-26-12 - CASSETTE: A DOCUMENTARY FILM


Someday in the distant future somebody’s going to make a documentary about the downfall of American society. It’s going to be a bummer, and an ancient John Malkovich is going to narrate it.

“Modern social scientists,” he’ll say, “trace the decline of the American empire to a singular moment: the production of the very first CD.” Cut to shots of thousands upon thousands of mirror-surfaced perfect circles — thereby inferring a correlation to colonial-era witch hunt criteria — followed by shots of the yuppies in National Lampoon’s Christmas Vacation. “In a single decade,” Malkovich will intone, “a cultural shift of epic proportions, from the post-war ethics of quality, function and thrift… the gramophone, the vinyl record, the cassette tape… to the consumption of cheap, flashy consumer goods. Together, we worshiped the compact disc in all its fragility, and together we ensured our demise.”

Ok, so that will most likely never happen, but cassettes were pretty cool, and I’m glad we’re starting to come together on the consensus that cd’s sucked. Personally, back in high school I had a shoe box full of halfway worn out cassettes in the giant Buick station wagon I drove. For some reason, at some point I switched over to a discman with one of those ridiculous cassette adapters, and my life really never was the same thereafter.

A tape, you could pop in, pop out and then chuck back into the box without a care in the world. It played once and it would play again, for the most part. With cds you had to flip gingerly through some plastic-and-gauze book (that was going to scratch the things to high hell eventually anyway), delicately select a disc, handle it like an original copy of the Constitution, and then essentially play ring toss, aiming for the spindle on the player, all while driving.

I guess my point is that tapes were like America itself; tough but full of sentiment, maybe kind of imperfect but simple, functional and kind of beautiful sometimes. Don’t even get me started on mix tapes vs. iTunes playlists — I mourn for kids today. That’s why I was pretty excited to learn that a new friend is making a documentary on the history and re-emergence of the cassette tape.

Seth Smoot is a talented guy (one half of the amazing Seth-Kendra husband-wife photographer-stylist team Jenny and I had to opportunity to work with last weekend) and this doc is going to be tops. You should help fund it on Kickstarter — I did. Given the buzz on Hypebeast and a “Best of Kickstarter” nod from Sundance, this film is going to be big, and in the internet age docs like this shouldn’t have to go on anyone’s credit card.

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2 Comments on “CASSETTE: A DOCUMENTARY FILM”

  • randall

    While the days of cassette dominance are long since past, there is only one real part of that era that I miss and that is creating mixes. With today’s technology, it’s just point and drag and the mixes/playlists I make now are the auditory equivalent of fucking a hooker, sure it gets the job done, but there’s no soul in it. Back in the day, when mixes had to be made in real time out of necessity one had to listen to the song and the order of songs and then make a choice accordingly as to what the next song in the sequence would be. The old way allowed the maker to hear the nuances of each artist/producer/era and make choices based on those nuances. Now, you can create a whole 90 minute playlist without hearing one note and without the full understanding of the whole of the product.

    I love my Ipod for the portability and the ability to plug it into the auxiliary jack in my car and home stereo and have all that music in one place, I think it is a great invention. I don’t even mourn the loss of records stores being put out of business because of its dominance and I used to love browsing for hours in the stacks of a good record store, but the playlist will NEVER replace the soul of a good mix tape because of the ease in which it is made.

    02-03-12 » 10:34 am »

  • Joseph Conway

    Truth!

    02-03-12 » 10:55 am »

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